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The Bath Chronicle

Wednesday 28 March

I was gripped by the fast pace, the intensity and the contrasting emotional colours of this production. It was funny and it was harrowing.

The play deals with one August day in 1943 in the lives of seven children, played by adult actors (whom the playwright Dennis Potter saw as a "magnifying instrument" for childhood emotions).

A sense of menace seeps from the grown-up world into this eternal summer's day, emphasised by the sound of aeroplanes passing overhead and references to the war; yet the menace also springs from within the children as they play their own savage power games.

The play is energetic, physical and demanding, with all characters on stage for much of the time, yet the adult actors of Next Stage convey west country village children without wavering, either in body language or speech.

One never loses the belief that one is watching children and for an adult audience there is a vivid resonance with the children we all once were.

The intelligent use of onstage space by director Ann Garner and designer Ian Woods enhances the action, as do Kris Nuttall's and Sally Hardwick's lighting and sound.

This compelling drama runs until Saturday.

Angela Goodman
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